A-C  D-F  G-P  Q-Z  Degree

Loss of media (and often the support) caused by rubbing or scraping. Abrasions Example  
An accumulation of extraneous matter on the surface of the artwork that alters the artist’s design, i.e. dirt, dust, grime, etc. Accretions Example  
Acidic Backboard:
Rear board upon which paper art is mounted, made of wood, wood pulp or other acidic materials which will seriously damage art paper.  
Alteration to a work on paper (usually darkening – resembling burned paper) caused by lignin containing acidic materials in proximity to, or in contact with the art. Acid Burn Example  
The border around a picture, between the picture and the frame made of wood pulp paper or other acidic material which  will seriously damage the art paper. Acidic Mat Example  
Paper adhered to a stiff board behind it; usually with glue or self adhesive tape. Adhered to Backboard Example  
Remains of adhesive left by previous application of paste, tape, glue, etc; generally occurs during inept mounting of the sheet. Adhesive & Tape Residue Example  
An attachment to the sheet to add strength and stability. Auxiliary Support Example  
Removal of a rear board (See Adhered to Back Board) to which a work on paper has been adhered.  Removal can be wet, if the art can be immersed and the adhesive is water soluble, or dry with a scalpel if the work cannot be immersed in water. Backing Removal Example  
Biological Degradation:
See "Mold/Mildew" and "Insect Damage".  
Board:
A thin firm board made of compressed paper pulp, used as a support for drawing or painting.  
Removal of dirt, or other soiling; dry cleaning or wet cleaning (washing) are the two most common methods. Cleaning Example  
Separation and lifting of media (gouache, paint, etc.).  From the support layer (paper, board, etc.). Cleavage Example  
A wrinkle on broad system of wrinkles without creasing. Cockleing Buckeling Example  
Consolidation:
Procedure to re-adhere delaminating media to its primary support sheet on board.  
  Line or mark made by folding or wrinkling. Crease Example  
Straight separation in support caused by sharp slicing action. Cut Example  
  TOP  
Deacidification:
Mitigation or removal of conditions causing work to be or become acidic.  
Separation of the layer(s) of the support and/or media layer(s); often accompanied by flaking. Delamination Example  
Dimple:
Any small, hollow place.  
Dirt/Grime:
Dirt of any kind that has accumulated on the surface (accretion); may also be embedded into the support (soiling).  
Changes of hues, often uneven and visually detrimental to the prevailing tones. Discoloration Example  
A folded down corner. Dog-ear Example  
Stretch by tension. Draw Example  
Any damage in and confined to the edge of a sheet of paper; usually small tears. Edge Damage Example  
Support has become perceptibly fragile to the point of snapping, crumbling or breaking. Embrittlement Example  
Faded:
Losses of brightness or brilliance of the color(s).  
Fill:
Material used to replace missing areas of loss.  
Media and/or support layers to dislodging from the support. Flaking Example  
Flyspeck:
Small dark spots of fly excretion.  
Foxing:
Reddish-brown stains believed to be caused by metal particles in the paper being attacked by micro-organisms; foxing previously thought to be a variety of mold or mildew.  
Frass:
Powdery residue left by insects after attacking a sheet of paper or board.  
Friable:
Insufficient binding to adhere the media to the sheet or board (support).  
Fugitive:
Unstable colors that have or will diminish or suffuse into adjacent areas when exposed to light, moisture or solvents.  
  TOP  
Gouge:
A groove, indentation or cavity resulting from an object pressing or cutting into the surface without completely penetrating the support.  
Handling Dents:
Shallow creases (usually in or near the edges) created by rough handling.  
Hinge:
A small folded rectangle of paper with adhesive (or tape) used to mount a sheet to a support.  Usually part of a mounting or matting procedure.  
Damage created by improper application of hinges to a sheet.  Self adhesive tapes may bleed through creating a permanent stain; excessive mounting adhesives may also create permanent compression of paper fibres. Hinge Damage Example  
Open or hollow loss in the support. Hole Example  
Imbedded:
A variant of embedded.  
Inclusion:
A foreign body enclosed within the mass of the paper fibres.  
Over-run and invaded; usually associated with insects, bacteria or other microorganisms such as mold, although it can also pertain to other pests. Infestation Example  
Inherent Vice:
Existing condition that causes deterioration of an object as a result of its original construction.  
Numerous species of insects feed upon materials in  paper borne works, inflicting damage which can be massive, resulting in partial or total destruction. Insect Damage Example  
Insecure:
A damaged work which maybe in the process of deterioration due to weakening of materials or due to weakness in structure or construction; work will probably sustain further damage if moved or handled without immediate attention.  
Liquid Stain:
Stain created by an unidentified liquid.  
Missing area in one or more layers of image; most frequently the result of flaking, abrasion, tearing, skinning, insect attack, etc. Loss Example  
Replacing loss areas (holes, etc.) with material not original to the work. Loss Compensation Example  
Darkened area caused by acidic conditions related to the use of improper matting materials. See "Acidic Mat". Mat Stain or Matburn Example  
Mend:
Reattach or reinforce cuts, tears, etc.  
Any of various fungi growths that invade many organic surfaces provided sufficient moisture is present, producing enzymes that dissolve, stain, or degrade the host material. Mold/Mildew Example  
Offset:
Planographic printing using indirect image through such as photomechanical plates.  
Photo Oxidation:
Degradation of paper and/or media by light.  In media this results in fading; in paper it results in destruction of the molecular structure of the cellulose paper fibre and can result, in extreme cases, in the total collapse and loss of the sheet.  
Physical Degradation:
Degeneration of the overall structure.  
Structural deformation of the support whereby it is no longer flat or in place. (See Cockling and Buckling). Planar Deformation Example  
Insufficient binding media or failure of the binding media to adhere pigments to the support causing the media to become powdery, chalky or crumbly. Powdering Example  
A restoration performed prior to the current examination. Previous Restoration Example  
Primary Support:
Material providing the foundation for the image. i.e. paper, vellum, etc.; called the “primary support,” when a secondary support is present.  
Hole created by impact. Puncture Example  
  TOP  
Scratch:
Loss in the media, which may extend into the support caused by marking the surface with something sharp.  
Backing, backboard, mounting support or other material providing a foundation layer for the primary support. Secondary Support Example  
Sheet:
A broad, thin, usually rectangular piece of paper serving as a support for media; drawings, watercolors, etc. are referred to by collectors as “sheet(s)”.  
Shellmark:
Crease in the pattern of a half circle; generally the result of a blow or impact when the object is rolled.  
Skinning:
Excessive intervention resulting in losses of the original media; also called “over-cleaning”, or “excessive cleaning”.  
Smudge:
Smear or blur caused by dirt, soot or ink.  
Soiling:
Dirt driven deep into the surface.  
Split:
A rupture or tear running along the support, usually caused by stress.  
A discoloration, usually darkening where the media and/or support layer has been penetrated. Stain Example  
Diminishing or removing discoloration. Stain Reduction Example  
Support:
Material providing the foundation for the image. i.e. paper, vellum, etc.; also, called the “primary support,” when a secondary support is present.  
Staining caused by migration of the adhesive from self-adhesive tape into paper fibres. Tape Stain Example  
A rupture in the support layer as a result of tension. Tear Example  
Delaminating of paint or gouache along cracks where the delaminated media layers lift upward into a pattern resembling the peaked tops of tents. Tenting Example  
Abrasion of paper or board support creating areas which are thinner than the surrounding support. Thinning Example  
The dark line created by drying liquid, at the farthest point of liquid migration in the paper or board.  The line itself is dirt transported by the liquid; the dirt embeds itself deeply into the paper fibres becoming tenacious and difficult to remove. Tideline Example  
  TOP  
Degree: The comparative extent of damage described by the following adjectives:  
Negligible:
insignificant damage that may not need immediate attention but needs to be monitored.  
Slight: damage slightly more noticeable than “negligible”; should be monitored by a conservator.  
Minor: existing condition, which is relatively unimportant; generally does not involve risk of loss; should be monitored by a conservator.  
Moderate: damage is noticeable and may be of middle or increasing severity of size; not serious but should be monitored or corrected by a conservator.  
Marked: readily identified damage, often with distinctive features and requires remediation by a conservator.  
Major: damages or existing condition are noticeable, if not conspicuous in extent; stability of the work is in question, often great risk is a factor. Requires immediate attention by a conservator to prevent further damage or loss.  
Extreme: most severe damage or existing condition has become very advanced. The work is insecure, no longer stable and at great risk.  
  TOP  
     
  It is important to understand that damage to a work of art is rarely static and the work will continue to deteriorate. It is best to have a conservator monitor works annually.  

 

Home | Conservation Services | Insurance Services | Other Services | About Us | Facility | Glossary
|
Contact Us | Legal Disclaimer

©2006 The Fine Arts Conservancy/Stoneledge, Inc. | Website by Web Monopoly